@meg

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"Censorship is the tool of those who have the need to hide actualities from themselves and from others." - Charles Bukowski

普段創作イラストメインに制作していますが特撮などの版権も落書きしています。 創作の題材は深海生物が多め。あと女の子とお花、お茶会。 PIXIV　FANBOXでは創作絵についての話題を中心に投稿予定です。

Eight years ago, 17 Pygmies, a band if noted for if nothing else, being stupidly ambitious, undertook a stupidly ambitious project. Originally a short story based upon the 15th Century classic novel La Celestina by Fernando Rojas, the recorded Celestina (in actuality the name of the spaceship) was envisioned as a three part, 33 1/3rd psalms/songs long science-fiction story mixing as many musical elements including progressive, psychedelic, classical and ambient as possible in an effort to create a unique musical landscape to match an imaginary, but somewhat based on reality, version of love and deceit in deep space. In 2008, the first step was completed when Celestina was released. In 2011, these "new" influences were incorporated into the next installment of Celestina, ultimately to be known as CII - Second Son. In many ways, CII was similar to CI, with one major exception. The best was to explain the difference is to imagine the Pink Floyd influence replaced by influences from Pink Anderson and Floyd Council, the two bluesmen from which the Floyd got their name. On January 1, 2012 17 Pygmies officially released CIII - Even Celestina Gets the Blues (A Tale of Love and Quantum Physics). This, the third and final installment of the Celestina trilogy finds the crew of the Celestina (what's left of it anyway...) having escaped the clutches of a black hole and with new knowledge of the Treachery of the Third Inquisition racing back to Earth to expose the truth of the "robot menace." Isabel was officially released January 1, 2013 Musically, Isabel draws on some of the more attractive attributes of it’s predecessor CIII: Even Celestina Gets The Blues, namely Prog Psychedelia and Ether-Pop but adds a healthy dose of Spanish Guitar, Trip-hop and interestingly R&B backing vocals to what has already been described a musical blend "warm and yet haunting, it’s spacious and yet lush, it’s warm and yet melancholy. It’s music of contrasts and much like sweet-and-sour, it’s delicious." Influences for Isabel include ELP, “Lamb” era Genesis, Can, Amon Duul II and John Foxx. A little less obvious, but no less important touchstones include Christopher Young (he wrote the theme to “Hellraiser” but you knew that), The 1st Movement of "Symphony of Sorrowful Songs" by Henryk Górecki, Segovia and "Venus In Furs" by the Velvet Underground. Isabel II: Abaddon Rising was officially released November 17, 2015 Sometimes it's best to look back when planning one's next move. In the case of Isabel II, 17 Pygmies decided to write the never happened follow-up LP to it's classic 1980's album 'Captured in Ice'. Musically speaking, this required the band to go back to its roots as one of the originators of the "cold-wave" movement (the Pygs themselves referred to their style of music as "sombredelic"), a genre that mixed "College Rock" "Art Rock" and "Pop" with a downbeat, if not often whimsical and/or reflective message. Taking "Ice" as it's starting point, Isabel II also manages to mix in Prog, Psychedelia, Classical and Folk music as additional territory rich for exploration. Direct comparisons can be made to the music of post-Genesis Peter Gabriel, Early Kink Crimson, Gary Numan, Roxette, Current 93, Shirley Collins, Herb Alpert and the Tijuana Brass, Manuel de Falla, Maurice Jarre and Jerry Goldsmith as well as visual inspiration in the works of Hieronymus Bosch, Salvador Dali, Frida Kahlo, Picasso's "Guernica", Vincent Van Gogh, James Whistler and Joan Miro. As with all 17 Pygmy releases, great care is put into the overall visual presentation. Isabel II is a limited edition hand assembled signed and numbered CD featuring a foil stamped design on specialty paper.

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