@progeny

🖤🧧🐯🦎DJ 🎧Engineer 🎶Composer 🎸Bassplayer 🎹Musician ✳️Mod 🤖My bot @ghettoblastah —————————————————————- Executive Coach • Consultant • Formateur • Conseiller en évolution de carrière • Charge mentale • Intelligence émotionnelle • Bilan de compétences • EMCC • ICF • SF Coach • Coach professionnel certifié —————————————————————- 🌀 Je crois profondément dans le potentiel incroyable de l'humain, je crois dans sa capacité à se transformer pour se mettre en chemin vers ce qui le fait grandir et le nourrit. Face à la complexité de l'environnement externe et interne de l'entreprise et des nombreuses transformations induites tant au niveau collectif qu'individuel, il est essentiel de libérer le potentiel des individus et des équipes, de les faire redevenir acteurs. —————————————————————- ➡️Coaching individuel • Coaching d’équipe • Programmation neuro linguistique (PNL) • Analyse Transactionnelle (AT) • Communication non violente (CNV) • Charge mentale • RPS • Gestion du stress • Intelligence émotionnelle • Intelligence collective • Bilan de compétences • Confiance en soi • Estime de soi Membre de l'EMCC France, Caraïbe, Océanie (European Mentoring and Coaching Council, Conseil Européen du Coaching, du Mentorat et de la Supervision) —————————————————————- 🦎DJ 🎧ENGINEER 🎶COMPOSER 🎸Bass Player: Fender, Ampeg Rickenbacker, Warwick, Godin 🎹 Ableton Live, Teenage Engineerinig 📷 Photographer, Canon Canonet QL17, Leica Minilux, Olympus Trip 35 👾 Retrogamer 8/16/32 bits 🍟 Pop Culture addict 🎮 Geek addict ⚔️ Traveler 📡 Amateur radio: HAM•PMR•DMR•CB 🐶 French bulldog addict 🐾 Chartreux cats addict 🥃 Rhum lover 🍫 Chocolate lover ✨ Origin Euskadi & 🇬🇵Caribbean 📍From Paris in 🇫🇷 —————————————————————- Love …🇫🇷🇨🇦🇺🇸🇯🇵🇧🇪🇪🇺🇨🇭🇸🇦🇮🇶🇪🇸🇬🇧🇮🇹🇬🇷🇲🇪🇩🇪 —————————————————————- 🦄 « La tolérance atteindra un tel niveau que les personnes intelligentes seront interdites de toute réflexion pour ne pas offenser les imbéciles » DOSTOÏEVSKI 🦄 « Impose ta chance, serre ton bonheur et va vers ton risque. A te regarder, ils s’habitueront. » René CHAR —————————————————————- ✳️ FRENCH PRINCE OF BEL-AIR🎧 ✳️ANTI HYPE CONSORTIUM🎧 ✳️LA VOIX DU LÉZARD🦎🎧 ✳️ZOLTAR 🦹🏻‍♂️ ✳️RADIO CARBON 14🎧 ✳️ THE FRENCH BULLDOG LIFE ✳️24H CHRONO🎙 ✳️Co Host Radio EPHAD🔬 My bot 🤖 @ghettoblastah ⚠️🗣Vous n'avez pas la permission d'utiliser ma voix dans des clips de ClubHouse et/ou de me lister comme paneliste (cf. Article 226-4-1 du Code pénal) ⚠️ —————————————————————- LINK ME: ⬇️⬇️⬇️⬇️⬇️

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Corona d'Aragó fou el conjunt de territoris que estigueren sota la jurisdicció del rei d'Aragó des del 1164 i fins el 1715. Aquest conjunt territorial estigué format inicialment pel regne d'Aragó i el comtat de Barcelona, i malgrat que al llarg dels segles s'hi incorporaren d'altres territoris, els conjunt patrimonial d'Aragó i Barcelona restà sempre unit. El seu naixement es fruït de la unió dinàstica sorgida pel matrimoni entre el comte de Barcelona Ramon Berenguer IV i la reina Peronella d'Aragó el 1137, que donaren en herència els seus territoris i títols al seu fill i successor comú, Alfons el Cast, primer rei d'Aragó i comte de Barcelona (1164). L'estructuració política del conjunt territorial transcendí la unió dinàstica inicial i s'organitzà com una federació d'estats medievals, respectant les singularitats de cada territori i desenvolupant-hi una estructura política equivalent i similiar entre sí: Corts, Generalitats i Constitucions, coordinant la política exterior conjunta i convergint la diversitat dels estats en la figura unitària dels sobirans del Casal d'Aragó del llinatge dels comtes de Barcelona, la corona i el títol principal dels quals era el de ser reis d'Aragó. La mort sense hereu de Martí l'Humà (1410) suposà l'extinció del llinatge dels comtes de Barcelona i l'adveniment de la dinastia Trastàmara a la Casa reial d'Aragó.

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Dana Weidman is a college professor, screenwriter and filmmaker. She graduated from Grinnell College in Grinnell, Iowa in 1985 and has an MFA in Screenwriting at the American Film Institute.

Progeny is working his way to TwitchCon2025! Any help is appreciated 😇

musings on culture

Artists are creatures of habit and their methodology and fastidious nature can be likened to other creatures in nature. “Progeny” is defined as “a descendant or the descendants of a person, animal, or plant; offspring.” The immersive architectural sound installation measuring 24 x 24 x 9 ft is modeled after the interior of a Langstroth beehive thus realizing an artist colony. There are ten partitions covered in acoustic paneling with 48 microphones and 36 speakers that transmit every single sound originated in the space. Beekeepers engage in a systematic migratory procession carrying up to 400 hives on flatbed trucks in search of seasonal pollen. Inside each Langstroth Hive lives a colony of 20,000 – 80,000 European honeybees. When the colonies are placed by the beekeeper in the new ecosystem, the bees begin their procession with the unified goal of feeding and caring for the next generation of their colony. How does a community of bees survive this migratory process? How do these colonies adapt to new and temporary ecosystems? How do they function within the limits of a man-made architectural object? Bees live in extraordinarily complex and cohesive societies. They coordinate virtually all of their activities with other individuals to ensure colony survival. Much can be learned and transferred from bee society to human society, including maintaining public health; organizing efficient information, communication, economic and transport systems while maintaining harmony. Each bee has a specific role in constructing a healthy society – as does each human. Should any segment of the societal body suffer, the whole body suffers. Progeny is a human project exploring a microcosm of human community through interaction inside an architectural space similar to a beehive. The artists have figuratively become beekeepers. The hive-based installation is man-made. The structure is disassembled, transported on a flatbed truck to another temporary location where it is reassembled. With each exhibition an opportunity is provided for a new community to evolve, learn, adapt and interact. The artists were invited to work with beekeepers to provide food and supplements to the bees in preparation for the pollination season and the relocation of their hives using large flatbed trucks. Each colony is created of about 60 – 90,000 honeybees and on each truck there can be up to 400 hundred hives. At full capacity, this equates to transporting over 35 million bees, equivalent to the most populated state in North America, California, or the whole population of Canada. An entire community of bees have to work together to survive and adapt to a new ecosystem. This mass migration introduced interesting comparisons with how humans migrate and adapt to new environments. Dressed in bee suits, the artists opened hundreds of hives, looking through the frames and space inhabited by the bees. It was there that they decided that Progeny should be a human project on a human scale based on the construction of the Langstroth beehive. This would require the human hive to be 16 times the size of a beehive, made up of nine chambers, portable and uniform using standardized building techniques and materials. The installation is designed whereby every unit is constructed using 4’ x 8’ frames, including walls and flooring. Acoustic tiling, commonly used in human-interactive workspaces, envelops the wall surfaces. In addition to their sound depleting properties the white tiles are symbolic of our everyday work environment. Ten independent walls create nine narrow corridors 24 ft in length. The narrow width of each corridor compels close public interaction. The space above the walls is designed without a joining ceiling. This creates enhanced balance, perspective and visual rhythm. The open-air design allows values and tones to alter with time passes and light varies. The Langstroth hive as an architectural man-made object is a profound example of how acoustic environments can fuel and trigger group behavior. For honeybees it plays an important role in their survival. The queen bee signals to the honeybees to contract their wings, this creates the sound of buzzing associated with a honeybee. Through a unified act, a combined contraction of wings, the honey bees’ warmth and oxygenate the hive and signal when the hive is under threat. The structure they built and live in, helps to reverberate and transmit this collective sound. The installation’s sound design is the result of continued research on how sound interacts with different materials, and how everyday environments, particularly man-made environments, have their own acoustic characteristics based on the surrounding materials (i.e. wood, metal.) Research extended to the idea that the sonic landscape we inhabit influences our behavior, our interaction with the environment and the people living in it. It became increasingly important to investigate the physicality of sound, to think about how sound can be a trigger for behavior, and to explore how sound morphs into a new being, according to how we interact, singularly or unified, within our own architectural acoustic environments. These considerations began to inform decisions the artists made regarding structural attributes and the materials used. By walking across the wooden surface of the flooring, or brushing past the fibre of the ceiling tiles, you can hear the acoustic qualities of the materials you are interacting with. The narrow confines of each corridor, and numerous microphones embedded in the walls and flooring, help to augment this effect. The artists also aimed to enhance the ambient and unified sound of people interacting within the space. This was achieved, by installing 32 contact microphones under the flooring of the structure, which pick up the vibrations of people’s footsteps. These, alongside the microphones within the walls, transmit sound to 36 speakers throughout the installation.

Paris, France Hi! I'm Mitch | Bass Player | Music Designer | Blogger | French Bulldog |

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Progeny is an edgy Christian rock band based in San Antonio, TX.